Definitely well-considered is the self-adjusting headband, from which the earcups are elastically suspended. The result is that as well as staying properly fitted in place no matter how you move the Q701s about on your head, with their weight evenly distributed. The band’s padding isn’t actually that soft, but it is leather-covered and distributed weight evenly. The earcups are large enough that they will completely encompass all but the mode Dumbo-like of ears, which we much prefer to the less-common alternative having the pads rest on the ear. In combination with the large earcups, the ‘suspended’ design makes the Q701s very comfortable; we had no problem wearing them for hours on end.
Inside the earcups, the Q701s offer the same flat-wire voice-coil technology, ‘Varimotion’ multilayer diaphragm, and neodymium magnet system that AKG developed for its studio headphones. The result is a claimed frequency response range of 10 Hz to 39.8 kHz – on a par with headphones costing north of £1,000 including the much-lauded Sennheiser HD800s and Grado GS1000s. That should explain why Quincy Jones believes: ‘These are the only headphones I’ve heard that bring out the true sound we were striving for on records like “Billie Jean”‚ “Thriller” and “Give Me the Night“. It’s the best-quality sound I’ve heard, ever.’
Attached to a more suitable source device, the Q701’s really shine. AKG makes big claims about the accuracy of these headphones, and we’re not about to dispute them. Even with just 320kbps MP3s the Q701s draw an impressive amount of detail out of recordings. Listen to lossless files, or good old-fashioned CDs and the results are nothing short of astounding, given the price of the Q701s.
The open-backed design does its job of giving the Q701’s a wide, uncluttered sound. Poorly mixed radio-destined music doesn’t really benefit, but the spaciousness adds an extra dimension of realism to well-mastered recordings, such as the ever-impressive works of the London Symphony Orchestra, from whose works the Q701s allow you to pick out individual instruments with ease.
A wider range of material showed that AKG isn’t exaggerating in its claims of the excellent accuracy of the Q701s. From the low end to the high end these are some of the flattest headphones we’ve ever listened to, with no trace of distortion and the amount of detail reproduced is as impressive as the flatness of tone.
It’s not just the Quincy Jones catalogue that sound great via the Q701s. From Louis Armstrong to Frank Zappa, Credence Clearwater Revival to the White Stripes, and Aha to Kanye West, the flatness of tone exhibited by the Q701s means that they sound equally good with just about every genre of music. As such, those with particularly eclectic tastes might well consider them a better option than, say, Grado’s RS325s, which although an incredible pair of earphones, have a particular ‘Grado sound’ that lends itself to some types of music better than others. We’d say the same, too, of Sennheisers HD650s which, though very detailed and accurate, have a more pronounced bass response than the Q701s. We’d be lying if we could call any of these – or, indeed, any of the alternatives – the ‘best’ and you’re best bet is to find a retail shop that will let you compare a selection and pick the right one for your tastes.
Verdict
The AKG Q701s are a truly excellent pair of headphones, with which Quincy Jones can be proud to be associated. Their wide, flat and accurate sound puts them in a great position in competition with similarly priced headphones from Sennheiser, Beyer Dynamic, Grado, and others with the choice between the options one of preference, not outright superiority.